“One of the most important quotes I live by is ‘Imagination is more important than knowledge.’ Dreams are so important. Without dreams, you got nothing.” — Big Sean (2010)
GY, one of our OG #TeamGowhere members you all know as @GY312, is out in L.A. with us and today we were rappin’ on some old music, which then turned into a reminiscing rabbit hole of our old interviews… which then led us to this. “Living Our Dreams (Memories)”, one of our all-time favorite documentary style cuts shot by the Emmy-winning Cam Be and doubling as one of GY’s first interviews with us at GWHH.
We caught up with Big Sean, post-Finally Famous 3, but pre-Finally Famous the debut album. It was late 2010 and his G.O.O.D. Music buzz was peaking in such a way on the internet that it manifested into reality at Reggie’s Rock Club on Chicago’s south side.
Funny enough, our organic recollecting also led us to our trip to Austin for SXSW in 2012. A year and a half later, the three of us: GY, Cam, and I — amongst our Gowhere contingent were packed into a small venue for the G.O.O.D. Music showcase. This meant a performance by Big Sean of his Finally Famous album singles and a surprise appearance by none other than Kanye West. Here’s another Camovement of the back-to-back-to-back performance of “Dance (A$$)”, “Marvin & Chardonnay” and ‘Ye going solo for a hype rendition of “Can’t Tell Me Nothing”. Chills to this day. We were all behind them on the stage and it’s still one of my memorable concert experiences I bring up casually in convo when it comes up.
Even more comically, to us at least, our nostalgic convo culminated in the realization that Big Sean’s back on social media on his born day today. To bring it full circle: 2010–>2012–>2019. The new rhymes are sounding good. Here for it all these years later. HBD!
Producer and DJ, Kronic, has been all over the world. I mean, he is from Australia. Being in the music game for years, he know what it takes to make a happy career out of doing what he loves. He has worked with artists such as Tyga, LilJon and most recently, HavanaBrown.
We caught up with Kronic via email and you could really tell how great of a personality he has. We can’t forget to mention, his music is nothing short of awesome. Check out what he had to say about his career below:
1. First off, where does the name Kronic come from? It’s such a strong/awesome word. Does it reflect your personality?
I grew up on West Coast hip hop and mixtapes. If you’ve ever heard DJ mixtape from that era, especially from guys like Rectangle, you’ll hear that they’ll sample words and phrases from records and flip it into a statement. I kept hearing the word ‘kronic’ in all these classic records, and I though i’d be a good sample to get creative with.
Lot’s of people assume it’s a weed thing, but that’s not what it’s about. While I enjoy smoking as much as anyone else, it doesn’t define me as a person or an artist.
2. When did you first fall in love with music? Do you ever imagine yourself doing anything besides producing?
I fell in love with music as a teenager, and it really took over when I started DJ’ing house parties. I was excited just to being able to make a living DJ’ing, and back then, I couldn’t imagine that I’d be producing records at all, let alone for artists that I looked up to. Before I was a full time DJ, I was driving fork lifts, so I guess that’s what I would have been doing if never worked out for me.
3. You’ve worked with artists such as Havana Brown, Tyga and Lil Jon…what was it like and how do you get a feel for different artists’ taste?
Havana and I have been friends since we both started our careers, so knowing her taste was easy. We worked on Bullet Blowz at her house, so we able to bounce ideas of each other and create something together.
With Lil Jon, I’ve been a big fan of his since I’ve been DJ’ing, and I’ve been using his vocals for my own edits for years. He told me he wanted to work on some twerk stuff, and the first beat I send him became “Bend Ova.” It was until months later that he surprised me with that Tyga verse. Tyga and I chatted a while ago about doing some more stuff, but we haven’t had a chance to really go in yet. I’ve got some ideas for him, we gotta make it happen.
4. Your Facebook “About me” really made me laugh with the “Genre: Cool Shit!” part. What do you bring to the table that other producers don’t? You’re special for a reason! (You can talk highly of yourself here without any judgement 🙂 )
I’d forgotten all about that description! As a producer, I feel like a bring an understanding of different musical worlds than most. Great EDM producers are masters of creating unique, interesting sounds that really work in a club or a festival stage, but don’t necessarily know how to translate that energy outside of the club. On the other hand, a lot of the great hip hop producers don’t understand the dynamic of club music. I grew up on hip hop, but I’ve spent the last 3 years producing and performing club music, so I get the balance. I get it, Lil Jon gets it. That’s why Bend Ova is dope.
5. With music being a big part of your life, how do you balance your career versus personal life?
Fuck a vacation I feel better at work.
6. Do you have any interesting rituals you go through before a show? For example, I would probably take a quick nap, eat hot wings and drink a few beers to get in the zone. Is your ritual anything like mine?
I wish I had a rock star answer for this, but I still get a little nervous before each show. Not because I doubt myself, but because I want to make every show the best performance I’ve ever done. When I’m on stage, that’s my sole purpose, and I take that responsibility very seriously. I don’t take too much else seriously, go figure.
I do enjoy wings and naps, but that’s more of a post show ritual.
7. Tell us about a favorite memory throughout your career. You know, something that sticks in your brain.
I don’t know if everyone will agree with, but about a year ago, Justin Beiber uploaded instagram previews of some records he’d been working on, and in the middle of all these R&B joints, there was this 15 second video of him singing over one of my beats. I still have no idea if this song will ever come out, but just the fact that he recorded it will always stick with me. That song is dope, I hope it happens.
8. It’s mid-2015 (weird…where has the time gone?) We know you have big plans coming up so share some of your events with us!
This year is flying by damn. I’m pretty sure my label would like me to plug my upcoming records, but since Sup Girl is my label, fuck it. My Asian tour. That’s what I’m looking forward to the most. I’ve played a few shows in Korea and Japan earlier in the year, and the crowds there were something special. We’re still confirming dates, but it’s going to be sick! I can’t wait.
9. You’ve been DJing since 2001 and with everything becoming digital, a lot of artists are known to be pre-producing their “live” shows. Does it bother you how a lot of artists get shit for not “actually” DJing their shows? I have talked to plenty of artists who get mad over it and seriously lose sleep over it.
I don’t give a fuck actually. Either you have a good time with, or you don’t. I’m live in every sense of the word, and anyone who’s been there can tell you the same. It’s the same as people accuse me of having ghost producers – I couldn’t care less. Speaking of, ghost producer is a stupid term.
10. Lastly, what advice would you give someone striving to be as awesome as you in the music industry?
First things first, set the bar higher than my level of awesomeness. Even if you look up to me, you gotta aim higher. My major piece of advice is to have patience and run your own race. Everyone has their own path to success, just because someone else’s climb is faster doesn’t mean you won’t get there.Kronic will be in Chicago on June 21st performing at ROOF on theWit. Get your tickets and check out his music here!
Listen to his latest track with Havana Brown titled “Bullet Blowz” below:
I’ve seen Holt rap with Treated Crew, interview ShowYouSuck at JBTV, and DJ on several occasions, but never seen him own the spotlight like he did this weekend at SXSW. It’s really not accurate to say I saw his show when it was more like I was at his party. When he wasn’t crowd surfing, Holt held The Main down with multiple tracks off his forthcoming release from GOOD Music. Clearly drawn from a diverse background of punk, indie, and hip hop, Holt has cultivated a sound of his own – I can’t wait for the world to hear this shit. After the show, I caught up with him for a quick Q&A…
WD: So was that a preview of the album? HOLT: Yeah, all of those songs are on the album. Except White Wedding – that was just for the show.
WD: What about Nightcall? HOLT: Nah, we made that shit just to give to people.
WD: That was smooth as hell, man. HOLT: The album’s a lot like that, the song’s are either hard as fuck or super chill.
WD: Obviously, congrats on GOOD Music. HOLT: Thank you very much.
WD: How many times did you jump out that window till you liked it? HOLT: 8 times. 8 times we jumped outa that fuckin window.**
WD: Was it your idea? HOLT: Yeah, I concept everything visually. And no matter what I’m creating, I collaborate with homies whether it’s music, videos, clothes…
WD: Whats next for Treated Crew? HOLT: Treated Crew is forever on the rise. We will forever make (actually) exclusive, high quality shit for people to have whether its clothes, art or music.
WD: Any show you’re tryna catch here at SXSW? HOLT: Always gotta catch Freddie Gibbs, cuz he’s cold as fuck.
WD: Pizza or Tacos? HOLT: Thats a loaded question!
WD: Aright gimme your favorite pizza place. HOLT: Giordano’s pizza. Deep Dish. From the Crib. South Side. Chicago pizza. Pizza, mother fucker. Not Lou Malnatis. Not fuckin Uno’s… It aint deep dish if it aint Giordanos.
WD: Yes, thank you! And tacos? HOLT: There’s too many at the crib!
WD: My spot’s La Pasadita. HOLT: La Pasadita on Division? Yeah, that’s flame. But Zacatacos – flamest steak, bruh.
Get to know Lil Bibby on a deeper level — what drives him, what does he have to overcome within himself to be one of the fastest-rising rappers in the game right now with the release of ‘Free Crack 2’. The interview was filmed at Chicago Recording Company, where tastemakers and media came out to get the first listen of the highly anticipated project. Lil Bibby’s manager Lorin opened up the mic taking about Chicago unity and supporting each other, which was good vibes. After which Lil Bibby got on and performed some of the new records, talking about the project, and answering questions from the audience.
Lil Bibby: “I really hate the spotlight.” GWHH: “How do you overcome that fear?”
Ah yes! A lovely visit from producer M.Stacks to the Chi. Luckily, we both made time to linger around the city and have a sit down before his show with Boldy James. The weather was in perfect form to talk about the music industry (sunny and windy, of course).
During our casual interview after breakfast, we talked about the big name artists he produces for. These artists include Wiz Khalifa, Juicy J, Curren$y, Mac Miller, Naledge, Chicago’s very own GLC and many more. What an lifestyle that is. Being able to work for so many talented rappers must be ridiculous. I would say that’s pretty awesome! M. Stacks also talks about starting young, social media, his big influence (you’ll never guess), and more.
His upcoming work of art #CONNECTEDEVERYWHERE2 is being released on July 13th! It includes plenty of your favorite artists, no need to worry. Keep a look out for it. It’s going to be crazy.
A legend and definitely not a stranger to the city of Chicago or to Gowhere Hip Hop, Commonhas been making the city buzz for the last several months. With his announcement of a fall season music festival, a Chicago job initiative with Rhymefest, and a new album release, Common’s list of endeavors is longer than ever. However, nothing excited me more than the announcement of his tenth album, Nobody’s Smiling, set to drop July 22nd. With his album hype and a special invite to attend “Find Your Fortune”, Common’s exclusive listening party, I couldn’t say no to peeping his new work and chatting with Common as he circled back to the Windy City.
Video Provided by Miller Fortune
Set at Untitled, the private event was sponsored by Miller Fortune and Complex. Walking in, videos of the event’s theme lit the room with the caption “Fortune Comes to Those Who Seek It”, a true testament as the space filled with the who’s who and creative tastemakers of Chitown. From the street-wear gurus, Chicago rappers, to the hottest beat makers, everyone posted up with their finest gear in support of this legendary artist. Notable guests spotted among the crowd were Alex Wiley of Closed Sessions, a rising artist in the Chicago music scene and heavy weight rapper and producer, Rhymefest, were just a few who vibed out to this special gathering.
As the night continued with refreshments and guests pouring into the dance floor, the highlight and anticipation for the album soon began. Everyone gathered around the stage and screens as Common and Rhymefest took the stage to preview the album, my shortness (5’2 shorty but 5’4 with my high ponytail though) came through as I was lucky to be whispers away from Common as he discussed his new album. Previewing the album, track for track with the guests, the DJ spun songs from the album, the crowd bopped their heads in unison and cheered as Common started spitting few verses from each song. The energy grew fast as guests cheered and raised their bottles of Miller Fortune in the air, saluting Common on yet another successful record.
By the end of the event, I had the opportunity to sit down with Common. Situated in a warm, cozy interviewing room upstairs from Untitled, I was excited to speak more in depth about his new album and how Chicago continues to be driving force behind his music and life’s work as an activist.
GWHH: This album is your tenth album and after listening to a few tracks I can definitely hear the strong Chicago ties and influences. Are there any specific events or people in Chicago that influenced you in this album?
Common: For this album, I really tuned in to my own experiences living in Chicago and really focused on some of the music and people that continues to grow in the city. I feel like also just being an activist in general has influenced my work on this project. All the things I’ve saw as a child or learned my mother growing up and even the things I’m still seeing today is molding my music.
GWHH: What I’m particularly fascinated with are the Chicago artists featured. We have a large mixture of sounds from Lil Bibby, King Louie, Drizzy, etc. who are giving this album some of its greatest moments. What can you say about the mixture of sounds (classic hip hop and newer styles hip hop) being produced by yourself and others on this album?
Common: That was definitely one of the intents of this album. Its new energy and new hunger. Not only did I want to incorporate the elements of hip hop that I love and grew up on, I also wanted to showcase Chicago artists who are living, creating, and making musical changes in the city. Not only can I bring my own passion for hip hop onto the tracks but these artists as well, are showcasing how music is progressing and things are changing. This event by Complex and Miller Fortune is helping those artists showcase what it is to be a Chicago artist and just where the direction of music may be going towards. Here we can experience the music for all its elements and absorb it organically.
GWHH: Even though Chicago has always been a huge factor in your work, I know you mentioned that you titled this album, “Nobody’s Smiling” because of the some things you’ve seen and experienced in Chicago. Can you elaborate a little more on the title and just overall thought process when creating this project?
Common: Of course. I approached this record without fear. This album is definitely about me giving back to my city and the hip hop culture in which I love and grew up in. But it’s also about me shedding light to the violence that occurs in Chicago every day. I see it and I want it known that this happening every day to cities like ours. The title is a call to action, a clear indicator that events like these are happening and we need to start making a difference.
And you know what? I truly believe we can make a difference if you choose to follow whatever it is that we want in our lives.
GWHH: As an artist and activist, I know you continuously challenge and set goals for yourself. What goals do you hope to accomplish in both fields in the next 5 years?
Common: I say with the resources and plans I have developing right now I hope I can better Chicago and bring about more change for people. Whether its educating people on the situations that are occurring every day through music or my social efforts, I feel that small push regardless of which outlet can inspire people to speak and live without fear. I am definitely trying though, definitely pushing to try and trying every day to make these changes permanent in the long run. I see it and I can feel things are moving towards the right direction.
As the interview came to a close and I thanked him for his inspiring words, I joined the rest of the party as it continued its way downstairs. With guests still enjoying the night, posing for photographers, swaying their bottles with drinks at hand, and skimming the pages of the latest Complex magazine, snippets of Common’s new album and interview spoke greatly as I scanned the room full of Chicago natives. Living in the city surrounded by both fortune and chaos, it was a nice reminder that change can definitely be made and cultivate based on our efforts. Whether its through what we produce musically or mentally, it’s a very clear reminder that with a little bit of effort and awareness we can make strides for change.
With only a few weeks till his album drop, I am excited for everything that is to come with Common and hope this lasting feeling of positivity continues to carry on into the summertime Chi. Thank you Miller Fortune and Complex for a dope evening and a great start to my summer.
I was posted in Cali for the last few weeks and had the chance to link up with Jarren Benton. For those of you who don’t know him, he was recently part of XXL’s 2014 Freshmen Class alongside Chicago notables like Vic Mensa, Lil Bibby, and Chance The Rapper. Beyond the cover, Jarren Benton has been making a name for himself since 2011. His track “Skitzo” hit 1.3 million views on YouTube and earned him the respect and attention from notable rappers like 2 Chainz, Dizzy Wright, and Jon Connor. At 32 years old, Jarren Benton is doing it bigger and better with each stride. Already making himself a lending contender in the game, he continues to bring us innovative material and show us exactly why we need to know his name.
First and foremost, congrats on being part of the cover of XXL 2014’s Freshmen Class. How does it feel to be nominated?
Thank you, I appreciate it. It was dope. I honestly didn’t expect to get it or even be nominated. I just remembering going hard and telling everyone to go and vote for me if they like my stuff. And when I got it I was like “Oh shit!” People came through and got me to where I am now.
(Laughs) Damn you seem pretty shocked.
Yeah I mean I wasn’t that shocked but still a great moment for me to soak in. It was dope just meeting everyone that was part of the cover and seeing how everyone is trying to make larger moves in getting our name and music out there. Definitely very memorable.
Of course and that nomination was definitely deserved. Congrats again! But I know besides the XXL cover you’ve been pretty busy on tour with Tech N9ne. How has that been?
It’s been great. Really cool to be around people who work hard and just having a good time doing what they love. We’ve been hopping around a lot but regardless we always try to give our fans a great show. Tech N9ne is great, I’ve been learning alot and just having a great time touring and doing my thing. Not going to lie, it has been a little bit tiring but it’s whatever, I’m still enjoying myself.
Besides the tour with Tech n9ne I know you and Hopsin have been collaborating. How was working with him? Can we expect more collaborations in the future?
Hopsin?! Oh he’s the homie. Honestly he’s a weird dude and I mean that in a good way. We are both weird dudes who do weird shit when it comes to making our music. Like when we made the track “Who’s There?” we were in our own space, alone, just doing us and only came out to discuss the track or whatever once we had things settled on our own. But I do hope we link up soon, we’re both busy with our own stuff so future projects will definitely be in the works.
So you guys basically only met when it came down to finalizing the last pieces?
Yeah basically. But that’s just how we do things. We’re weird. I’m a weird dude.
Define weird though.
I’m really particular about how and where I make my music. I got a ritual down and once I start something I need to just do it on my own and just kind of be in my own head sometimes. That’s just me.
I know your album “My Grandma’s Basement” is out. What was the inspiration behind that album and title? Was this the same process as all your other tracks?
Literally what the title is (laughs). My ass was LITERALLY in my grandma’s basement. But this album was mainly inspired about the dark period in my life when I was living in my grandma’s basement. It was a rough time and I wanted to dedicate an album where I can look back on those times and just give my fans a more intimate look at my work.
I can definitely see how that album reflects some of your tougher times. But on the lighter note…that basement though…I mean was it decked out and shit?
(Laughs) I mean it was aight. But I mean come on now, it was my grandma’s basement. Things were grim but still, there were some decent times here and there.
What makes this album so different from everything else you’ve done?
This album has less “fun” elements. When I wrote tracks like “Skitzo”, I was already going through shit but I just wanted to make something fun because I had other things going on. I was more in the mindset that I wanted to produce and have fun and just drop whatever negative was surrounding me.
Yeah and I feel like that’s where solid music comes from. It just comes when you just produce what you like rather than following the masses. Do you think this progressive way of thinking has changed or grown in the music industry?
I feel like it has definitely grown. Music definitely has gotten more diverse and we see more and more artists being more progressive. We got dudes coming up from Europe, Canada, and etc. just giving us good shit to listen to and I’m happy to see that music especially hip hop is becoming more cutting edge. To be honest it’s about time! It just goes to show that music is evolving and it’s evolving with the times. Granted we still hear the same old tracks being overplayed on the radio but when you really sit down and listen to some of the stuff being played, things are starting to sound more different. It’s coming up slowly but still a good sign that things are moving beyond us.