Earl Sweatshirt interviews Mike Tyson

When Earl Sweatshirt interviews Mike Tyson, you get a pretty fascinating convo.

This actually happened for Citizens of Humanity and the full read can be found here.

Some snippets to perhaps reel in the click…

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Mike: What’s the name of your music?
Earl: The group that I was in was called Odd Future. So we was doing that. Fast forward, 2010, so I want to say that was like 2008 to 2010. Mid 2010, I got sent away. And we blew up. Like at that moment, it was like hand in hand. I got sent away, and –
Mike: Tell me what you mean by “blow up”. I know what blowing up means but how did you experience—define “blowing up”. You got signed? They played your music?
Earl: Yeah, they started… but it wasn’t even so much, that they played our music on the radio, it was –
Mike: Clubs?
Earl: It was like – it was almost punk rock in the way that it took off. It was just kids became, like, obsessed with it, because they –
Mike: You a crunk dancer?

Earl: One thing that my mom told me that stuck so much that I feel like relates to what you was just talking about is there being only two real primal emotions – fear and love. And like, the only thing that can combat fear is action. And there’s two actions. There’s fight and flight.
Mike: There’s nothing to fear but fear itself. It’s an illusion of fear. Fear is an illusion. If you gonna die, you gonna die anyway; it’s not something to fear, fear is not gonna help.
It’s going to be over soon. Somebody’s going to die, or somebody’s going to get sick, someone might leave. It’s not going to last forever. You know, it’s going to be over soon. You know, the thought of that never enters my mind. This is the reality of life. I watched that movie The Notebook. You ever watched that?

Earl: My last question, Mike, when you like achieve success like you have, how does that affect those around you – how do you get them to be motivated and not feel content?
Mike: It’s just strange to me how I have such a profound passion for my kids. I think about Just wanting to protect them. – You think id ever let my son fight a 14-year-old kid or something like me that has nothing, never had nothing?
Earl: Because he comes from a different place. It comes from desperation.
Mike: I look at my beautiful son, he’s so beautiful and handsome. And I think what a guy like me would do to this face. I would choke it, take a chunk of meat out of his head, bite his beautiful face. I would hurt him, and I’m just looking at him and I’m thinking your dad was one of them animals out there. I don’t expect my kids to be “fighters”; my kids never lived in a condemned building with their family. Most of them are at Ivy League schools, their mothers are good mothers, you know, they do good stuff with them. I don’t want my kids to be like me, I don’t want my daughter to date the guy like me. You know, a guy like me success is to take care of my children to take care of their life and make ‘em cushioned. I don’t want them to be around a people like me. You know, success for me would be that they never have the opportunity of being in the presence of someone like me.

Pitchfork Music Festival Day Three 7.20.14

With the festival closing its doors for Summer 2014, the last day was exactly what it was hyped to be. With top hip hop acts like Isaiah Rashad, Earl Sweatshirt, Schoolboy Q, and Kendrick Lamar sandwiched into one, anyone and everyone came through to bid this festival farewell for another year. Special thanks to Pitchfork for having us this year!

Day 1 Recap f/ SZA | Day 2 Recap f/ Pusha T & Danny Brown

Isaiah Rashad:

Recently signed with Top Dawg Entertainment (TDE), Isaiah Rashad leads the Blue Stage with his rapid-fire raps and jazzy beats. SZA makes an appearance (hinted on Friday during her set) and shares the first song with her TDE brother. Shout out to SZA for saying what’s up though! Though Isaiah Rashad definitely went hard in his performance, he stumbled with the smoothness of his verses. At some points he was spitting verses so fast that his words clashed with the mellowness of his songs and the random air horn noises (for real did y’all hear that?)

Backstage w/ Isaiah Rashad
Backstage w/ Isaiah Rashad

Earl Sweatshirt:

Speaking directly to the crowd, Earl starts a sing-a-long during the first half of his set. Breaking it down to its simplest form, dude plays music teacher and lets us know, “this song is so easy, all you dumbasses can get it”. As we sung along with Earl about “fucking freckled bitches” in typical hype concert mode someone had to be extra and disrupt the flow. Literally. Seen from the middle of the stage, water was sprayed directly onto Earl as he continues the second half of his set. Typical Earl though, calls this dude out and keeps it moving. Between songs, Earl muses in and out onto sideline dialog about not growing up with a father and the people he has met along the way. Either way, his musings and quality of music kept everyone listening. Also shout out to Isaiah Rashad for the photo (excuse my excited cat face)!

Schoolboy Q:

Yo did Schoolboy Q bring his whole damn family on stage? What seemed like family reunion on the stage, his crew and Schoolboy Q hypes up the crowd by making his set an all-out bounce blow out. Even for those who can’t bounce (and y’all know who you are) got it moving as he commanded the crowd to well…get up and dance. Playing verses from some of his more popular features like Work, the bounce was so real throughout his entire set. So real that my feet went from my usual shade of yellow Asian Mami to Doo doo ass brown. My bad for whoever had to see my disgraced feet but whatever though…at least I got down to Collard Greens.

Kendrick Lamar:

Delayed for about 20 minutes, the stage was packed to the brim for Mr. Lamar himself. This was expected though as Kendrick was the talk of the show since day one. Using some of the same dope visuals from the Yeezus tour, Kendrick Lamar played crowd favorites from his 2012 album, “Good Kid, M.A.A.D. City”. Playing his songs in full, Kendrick just shuts it down from the live band to his strong lyricism. From mAAd City to my personal favorite track Compton, Kendrick raps over the heavy sounds of his band and even dives back to his roots, shooting a tune from “Section.80″. Kendrick has definitely come far from the smaller stage of Pitchfork a few years back to now headlining and shutting down the festival. Props to you Kendrick, so excited for this album.

kendrick-lamar-pitchfork
Kendrick Lamar shuts down Pitchfork 2014