I heard “Holdin On” by Flume ft. Freddie Gibbs for the first time about two years ago, and its on about 5 of my playlists right now. That is to say, it’s one of those jams that doesn’t go away. It does, from time to time, get lost in that sea of new music, only to reemerge with that same hednotic value that doesn’t seem to depreciate. Its already a classic in my book, obviously. With that being said, I didn’t listen to much of his other music until I saw the 22 year old producer live last Saturday at Concord Music Hall. Things are different now. After a long Lolla weekend of hangovers, unexplained bruises, and spaghetti legs, I’ve spent most of the last week listening to Flume and telling people to shut the f*ck up (I’m listening to Flume).
One thing was instantly clear when the young Australian took the stage – he was having fun. It was apparent that Flume was happy to be in Chicago, and we were willing to follow him down whatever musical journey he was about to lead. Of course we all had expectations of a funky ride, and he didn’t disappoint. Deep grooves and laid back tempos paired with super dope graphics and the infinite prism made for not only the best after show, but the best performance I saw all weekend. Come back soon, man.
The dust (and mud) has settled on Lollapalooza 2014 this weekend, yet everyday this week I’ve thought back to Eminem‘s headlining performance on Day 1 that saw him surprise the thousands in Grant Park with a special guest appearance from Rihanna. I had a feeling Chicago would be the perfect guinea pig for Em and Rihanna to do a dry-run of their collaborations for the Monster Tour. I don’t mean that in a demeaning way to my hometown because in fact, Rihanna’s appearance proved to be a special moment for Chicago. It was the first the two have performed together outside of an award show setting and the very first time Rihanna sang the hook for one of Eminem’s all-time pantheon songs “Stan”.
Point being: the timing of Lollapalooza was wonderful for the two to rehearse live for the upcoming tour and bring Rihanna to the Chi since The Monster Tour is not slated to come through. So, what worked and what didn’t? Let’s start at the top as Rihanna emerged from beneath the stage, singing her extended solo version of “Love The Way You Lie”. This worked. We were taking in the show from far enough away that you couldn’t tell who exactly was rising on stage until they put a close-up of Rihanna on the Jumbotron screen a full five seconds after she started singing. It was cool to experience the initial uproar from the crowd who saw it was Rihanna right away and then the secondary uproar of everyone around us watching the screen. It turns out we had good intel that my prediction would prove to be correct a few hours before the show, so I spent this moment watching the people around us to see if they would be genuinely pleasantly surprised. Success! They were.
But at The Monster Tour, you obviously already know you’ll be seeing Rihanna so how they present “Love The Way You Lie” will be interesting to note, given they went the surprise route in Chicago. I suspect they’ll save their first #1 hit single for the end of the show too, as opposed to Eminem wowing us all about a third of the way through his set. Rihanna’s solo version doubled as more time for her and a great buildup for when the beat and band kicked in for Eminem’s verses. The energy was at a high to that point in the set so I know I’m not alone in saying that Em and Rihanna delivered a smashing success of a performance with “Love The Way You Lie”.
So what about their second #1 hit single? The namesake of the upcoming tour as well, “The Monster” followed “Love The Way You Lie” and, maybe it was just me, fell a touch flat. I believe that had more to do with following up the more powerful song in general and that both “The Monster” and “Love The Way You Lie” have similar tempos. I suppose it was like watching a solid sequel with the highlight of The Monster’s performance being the start of Eminem’s second verse that had me immediately flashing back to the genius music video when the Jumbotron showed a closeup of Em performing at an angle where it was just him and a black backdrop behind him.
After this chill-inducing moment (one of many more I’ll get to below), I expected Rihanna to salute the crowd one last time for her brief but memorable surprise appearance. Besides, those are the only 2 songs Eminem and Rihanna have together so what else could they perform? It was then, moments after the stage went dark, save for eerie blue lights that I realized I made a rookie mistake in underestimating Eminem. Rihanna began singing the aforementioned “Stan” and chills began to set again as the crowd gradually turned on their cell phones to shed light above them that the stage’s spotlights were no longer doing. Ri-Ri actually has the perfect voice to both match the solemness of the iconic Dido sample and give the chorus a fresh twist. Hearing her finish the first rendition, combined with the guitars coming to life, hammered home that I was watching history. Thank God for the fan above with the powerful camera from the 10th row because the long song ended in a flash, leaving me wanting to watch that performance, and Eminem shout out Chicago in the second verse, again. Rihanna then left for good and Em proceeded with many more of his hits to follow. This sounds like a good time to recall his setlist.
Eminem Lollapalooza 2014 Setlist:
Won’t Back Down
Just Don’t Give A Fuck
The Way I Am
Life In The Fast Lane f/ Royce Da 5’9″
Love The Way You Lie f/ Rihanna
The Monster f/ Rihanna
Stan f/ Rihanna
Sing For The Moment
Like Toy Soldiers
Till I Collapse
My Name Is
The Real Slim Shady
Not Afraid *encore*
After the initial rush of Eminem bursting out on stage, alongside his D-12 partner-in-crime hypeman Mr. Porter, I actually felt the first handful of songs lacked the extra level of energy that later on in the show would later prove. One of the highlights from the first handful of songs has to be the demented “Kill You” — the MMLP record with some of Eminem’s most ruthless lyrics that the whole crowd still knows 14 years later. Em cut the song short with some planned fake gunshots that admittedly startled me since I was looking away from the stage. “You can’t be having fake gunshots in Chicago!”, I exclaimed to anyone around me who cared. As you see, “White America” immediately followed — Eminem’s pulsating, politically charged anthem from The Eminem Show. The production is made for a live setting with crowd participation at a maximum to this point with fans waving their hands to the slow and steady beat.
When the set hit “The Way I Am”, it didn’t dip again for the rest of it. One of my top-tier favorites from Eminem has increased sentimental value now as this was the song we first saw one of Eminem’s guitarists rocking our Gowhere Hat on stage #Powerful! You see, in the hour before the set began, we linked up with longtime artist friend of ours, Curt Chambers — one of Eminem’s 2 guitarists on tour for the last 5 years. After our interview (coming soon), we also chopped it up with Eminem’s other guitarist who loved the hat so much he wanted to wear it that night. Given that we didn’t have a straight on angle to see the band in the back, we couldn’t see ‘Gowhere’ until both he and Curt were next to Eminem, which happened during “The Way I Am”. Hey, maybe you’ll see the Gowhere Hat tonight at The Monster Tour — keep an eye out 😉
In between “The Way I Am”, and the above-covered Rihanna cameo, was a cameo from Royce Da 5’9″. No surprise here as they performed the high-octane “Life In The Fast Lane” with the same on-stage chemistry they had last time I saw Eminem at Lollapalooza in 2011. Eminem’s most sentimental stretch of the set began with “Stan” and continued further with “Sing For The Moment” and “Like Toy Soldiers” when Eminem big upped the fallen Proof in the intro. For all the zany Slim Shady hit singles that reels us in, it’s Eminem’s serious side that I always rocked with 100% so this was my favorite stretch of the entire show. It was only missing “Mockingbird”, but we still had those zany singles to cover with time running close to 10pm.
Eminem upped the intensity with his song-stealing verse on 2009’s “Forever”. Quick aside: has there ever been a cooler first-listen experience than “Forever” in recent hip hop history? You had Drake, Kanye, Wayne, and a returning Eminem as the four you knew to expect, but you didn’t know what order it was coming in, and you didn’t know what Eminem you were going to get after some strange moments and deliveries on that year’s Relapse album. You know the story by now. Eminem delivered one of his most memorable verses, as evidenced by the crowd notably rapping every word in comparison to other Shady hits of the night, and in many’s opinion, has the verse of the song… which we wanted to see who had on that first listen. Needless to say, it was special, especially as Em went a capella for the smallest smidgen of time. MMLP2‘s lead single “Berzerk” followed, and to my surprise given the song’s polarity, the crowd, well, went berzerk. The energy was at a different type of high that the show hasn’t seen yet after these two songs and it carried over to the fan-favorite “Till I Collapse” with the late Nate Dogg sounding especially powerful over the loudspeakers.
Skipping ahead to the triumvirate of #1 lead singles, Eminem prefaced “My Name Is” to address the crowd and ask, “Chicago, can I take you back to when I used to get fucked up??”. The crowd went expectedly nuts for “My Name Is”, “Real Slim Shady”, and the na-na-na-na’s of “Without Me”, including the 40-year old mothers now all of a sudden directly in front of me, which absolutely made my night that much more memorable. With the music killed yet again, Eminem launched into the galvanizing anthem “Not Afraid” that I like individually, but realized I like 10x more in a live setting when you can really feel the song’s message resonate with the rabid crowd beneath Marshall Mathers. This brought me back to 2011 Lollapalooza in the best way. Finally, you probably would have guessed, Eminem retired from stage briefly to set up the encore of my favorite song OF ALL-TIME (!) — “Lose Yourself”. Eminem touring is usually few and far between, yet I feel like I’ve seen Eminem more than the 3 times he’s been in Chicago since 2005. Each time he closed with an encore of “Lose Yourself” that never fails to induce the chills. Alas, the perfect segue…
Top 5 Chilling Moments of Eminem Lollapalooza 2014
5. “Not Afraid” — Minor chills at the realization of how Eminem really connects with everyone in a live setting with this song. He’s a shining example of overcoming fears and adversity. 4. “Like Toy Soldiers” — Eminem harmonizing “Big Proof we miss you” at the beginning really affected this ‘stan’ of the late Proof (I was so sad that day he passed.) 3. “Till I Collapse” — The increase of camera phones captured Nate Dogg’s booming voice trailing off into a series of just the crowd’s claps to end the song. 2. “Love The Way You Lie” & “Stan” (tie) — Rihanna’s solo intro was just her, plus goosebumps. The surprise and overall chilling “Stan” was something to experience live. 1. “Lose Yourself” — Eminem, as somehow not mentioned above, was extremely active on stage showing agility and endurance that surprises you when you remember he’s 40. He saved the best for last as he leapt high into the start of the last chorus.
…and, since I had a really great perspective view of the fans in front of the stage…
Top 5 Crowd-Hands Moments of Eminem Lollapalooza 2014
5. “Business” — the first huge Dre beat that translated that way live with fans moving their arms up and down in unison. 4. “Real Slim Shady” — the fast, active hands during the transition to “Guess who’s back?”… the start of “Without Me”. 3. “Sing For The Moment” — hands swaying left to right for the moving chorus. 2. “White America” — the hands slowing up, rising and falling to match the pace of the eerie, booming beat. 1. “Lose Yourself” — last chorus, how can you not think of B. Rabbit in the last battle scene in 8 Mile?
To bring the post full circle, does anything from Eminem Lollapalooza 2014 foreshadow The Monster Tour starting tonight? I’ll take the politically correct, Yes and No. Given the widespread coverage of Rihanna’s surprise guest appearance with extra emphasis on her chorus for “Stan”, I would expect to see that again throughout the tour. But as this was an Eminem-only set, all of Rihanna’s songs were bundled together. I predict this not to be the case for The Monster Tour. Look for “Love The Way You Lie” to be the first collab they rock together with “The Monster” at the very end of the set and “Stan” somewhere in between. The possibilities are fun to guess, including that of any other songs Rihanna may sing the hook for… or, if I was them, stick to the “Lose Yourself” encore with Rihanna rapping the chorus with Eminem. Someone at the Rose Bowl, get back to me!
I’m glad this is a thing now. Drones capturing events from spots that helicopters dream of hovering over. I last posted on drones capturing 4th of July fireworks and this, well, I’m biased, but this is just as cool. Drones hovered over Grant Park in our hometown of Chicago, nabbing spectacular video of the festival from above. Even Skrillex noticed — though he did mistaken a drone for a UFO.
What do you guys think about our capture?
Unrelated (yet related): After watching the drone videos, one of the related videos was “Top 10 NBA All-Star Game Crossovers”. Of course I’m going to watch that. So why not you too?
FWIW, I think #2 > #1 — and that’s coming from someone whose favorite player is #1.
Oh, I’m not done. I feel like this is (somehow) a great segue into the funniest thing I’ve seen all day. Jeremy Lin putting his mom on the dunk cam. So for those counting at home, it only took 2 videos to get from Lollapalooza Drones to #JLinDunkCam. See how good I am at this?
What happens when you have more than a GA wristband to Lolla? Your life officially changes!
Here’s what we experienced:
1.) Met with Perry Farrell, creator of Lollapalooza, @ the media happy hour
2.) Accessorized by Toms for the festival (shoes + sunnies)
3.) Gowhere Hat worn on stage with Eminem & Rihanna
4.) Pampered in the media tent: massages, nails, hair, makeup (special thanks to Michael Brinson with Athletico & Lauren Schroeder)
5.) Fed lots and lots of amazing food + hydrated all day long
6.) Held umbrellas for Flosstradamus
7.) Martin Garrix showed us his high jump
8.) VIP shuttle service to and from each headlining stage
9.) Skydeck viewing of main stages
View more of our Lolla 2014 behind the scenes experience in the photo gallery above!
One of the standout performances we saw during Lollapalooza weekend was Lykke Li, accompanied by a vibrant live band, headlining Night 1 of ‘The Sound Of Your Stay Music Lounge’. We were up in the front row with the cameras rolling where it was Lykke Li’s 2011 hit single “I Follow Rivers” that made for a memorable performance. The “I I follow” in the chorus and the “Ohhh Ohh Oh Oh Oh” will have you singing after you watch the video, as I also particularly enjoyed the buildup and energy to the last chorus. Stay tuned all the way through for that, and another visual surprise as well. Enjoy!
—A GWHH Video Production— Lykke Li “I Follow Rivers” (Live) @ Lollapalooza 2014: ‘The Sound Of Your Stay Music Lounge’ presented by BMF Media, Beats Music, Fender, Palladia, and Traktor. Filmed by: Maksim & Sgt. Tibs Edited by: Maksim Location: Hard Rock Hotel Chicago
August 1, 2014.
Throughout the grounds of Samsung Galaxy Experience and the Samsung Galaxy Owner’s Lounge you’ll find an entire “Summer Camp” themed interactive environment. As you walk through a forest of trees just south of Buckingham Fountain you find yourself on Samsung’s campground (Galaxy Experience); tents labeled with different music genres allowed guests to tune into Milk Music, receive temporary metallic tattoos, lounge in hammocks and much more.
The Owner’s Lounge was an elevated experience, it featured just about everything the Galaxy Experience had and much more. A limited few were chosen to receive exclusive entry (rumor has it once you downloaded the Lolla app from your Samsung Galaxy phone they sent you an email with the invite, first come first serve). Entry included a meet & greet with Chromeo + intimate DJ set, loads of gift cards, lavish spread of camp-themed foods (the deconstructed smores in tiny mason jars were unbelievable!), fruity popsicle champaign infused beverages, skydeck viewing experience of the Samsung Galaxy Stage (featuring headliners Eminem, Outkast, and Kings of Leon), and last but most certainly not least…real bathrooms! This lounge experience was exactly how concerts should be viewed in my opinion; on comfy linen sofas with a cool drink in a mason jar on hand. Until next Lolla, thanks Samsung!
Days 2 and 3 at Lolla this year had a heavy Chicago feel. Playing their part was Krewella, who headlined Day 2 of the Perry’s Stage and put on quite a phenomenal show featuring a 1 hour and 15 second mix of their hits spliced with hip hop like A$AP Rocky’s “Fuckin’ Problems” and Ludacris’ “How Low Can You Go?”. All of this was taken to another level as they incorporated the huge stage of multiple video screens with lights, smoke, and lasers that extended well out into the field where we were standing for these pics.
Look at Krewella puttin’ on for the Chi. Various times throughout their set, the sisters Jahan and Yasmine spoke from the heart, saluting the most beautiful city in the world with all of their family and close friends in attendance for their biggest performance to date in their hometown. It made their rendition of “Alive” at the end even that much more special (they wrote the song 3 miles away from Grant Park.)
The one official video clip of their set is below via Billboard, and stay tuned with the Krew as in-house videographer Miles Evert was also on hand documenting the performance. I was also able to find a very HQ audio rip of the entire 75 minutes and perfectly time a drop on Vine — both below the video. Fun to relive for me as I’ll instantly be able to recall the wind from the booming sound rushing at my face from such a distance and the vibration of the crowd jumping up and down on the ground.
Lastly, Yasmine and Jahan sat down with Billboard to talk about coming home for Lollapalooza and also shed some light on their hotly anticipated sophomore album. We’ll be tuned in as 2015 is shaping up to be even bigger for Krewella.
We keep writing songs, and songs we loved two months ago now will never make the album. We’re taking maybe 50 percent of the next four months off to really crank the second album out and focus on it, and try to finish birthing it.