Another standout performance to highlight at SXSW is Raury, who was all over the place, but up above at the mtvU Woodie Awards.
Here’s his rendition of the song that got me (and probably you as well) hooked: “God’s Whisper” and it was notable for Raury’s full band and background vocals providing a complete sound and doing the record justice live. The guitars, the vocalists, and Raury’s energy were all superb. I wonder how this would sound if Raury went Kanye-style on the live autotune too. Maybe for an indoor stadium one day…
‘I hope one day my grand daughter still knows how to write.’ Enjoy My new FILM 🙂
Straight from Raury comes a new music video for “PSA (Seven Suns)” off his stellar debut project, Indigo Child. And you’ll definitely see something a little different than ever before because Raury and his crew care not for your… cell phones? It’s not hard to understand the statement after seeing to what extreme they go and for that overall, this is pretty cool even amidst a couple of questionable acts of violence, hah. Nah, but it’s still straight and in the process, Raury reveals a cool new ❤ logo and furthers his movement of indigos. For that alone too, this is pretty cool.
And for the record, the clips sampled at the beginning are another reminder to stay off your phones while driving. I used to text while driving until I realized how unsafe that was and we can all use a reminder like this too.
Raury takes a break from his ongoing tour to deliver a poignant new record, simply titled “Fly”. He croons over wrongful deaths, immediately inspired to write the record after Darren Wilson’s non-indictment. The track not only connects lyrically as Raury strays far from cliche, but also musically. The acoustic base of course, but also the violin from Luisa Lee (Willie Linton & Jeff “Gitty” Gitelman also co-produced with Raury). Closing out the record is Malik Shakur, who performs some spoken word, adding to the story, and being the appropriate fit.
“I wrote ‘Fly’ right after hearing that Darren Wilson was not being indicted for murdering Mike Brown. I wrote it instantly that the words and music didn’t even feel like mine. I knew that this track belonged to the universe.
‘Fly’ is a reset button on the revolution. ‘Fly’ is an ode to the ones who were wrongfully murdered, mourning the deaths and also looking on the bright side to help us find peace in the fact that they are in a better place, they fly in heaven now.
My best friend Malik Shakur also felt the need to express his hope for the future and the growth of Black excellence when he recorded with me in the midst of America trying to capture his Aunt Assata Shakur. He also looks to walk along with me, as we heal the world through love and high-frequency music.
Deep in my heart I know everything is going to be alright. – raury #indigoChild”
That was my first reaction but it’s not too far fetched considering both artists hail from the ATL. Raury’s breakout this year was one of the biggest in hip hop culture so I’m excited what sort of features he has lined up like this one going into 2015.
On “Dead People”, Raury raps fast on his guest verse and needless to say, his style is of great contrast to Gucci. Catchy beat with both Gucci & Raury having their moments in the verses. Tune in below.
Above: Tim Duncan celebrates his 5th championship… or his 1st Gowhere NBA Award?
The 3rd Annual Gowhere NBA Awards honor the league’s brightest superstars and elite teams… with fake music awards I made up to connect the two things I love most: hip hop and the NBA.
Seriously this is a thing. And it’s really the 3rd annual. Last season, for example, I dubbed the Golden State Warriors as the winner of “The TDE Award” for the team ready to take the next leap. As it played out, both teams didn’t make the next leap because of a 1st round exit and an absence of Kendrick Lamar’s sophomore album.
See? I’m great at this.
And look! This year we even have trophies! I know, I know. Please, remain seated as I open the first (fictitious) envelope…
Tonight’s Awards are as followed:
– The Kendrick Lamar “I Love Myself” Award
– The ‘Kauai’ Award
– The Raury ROY Award
– The Drake “I’m not new to this” Award
– BONUS mystery award… (in suspense yet?)
The Kendrick Lamar “I Love Myself” Award goes to… Russell Westbrook
Let’s start off on a positive note — the narratives of Russell Westbrook and Kendrick Lamar turning a new chapter.
As even the casual follower knows by now, last season’s MVP Kevin Durant has been sidelined indefinitely into December with a Jones fracture in his right foot. Durant said in a recent press conference that he plans to take his time with recovery, as he also takes his time ridin’ dirty around OKC practice in a scooter.
This leaves the OKC Thunder to fight for itself for the first quarter of the season without its superstar, and to be led for, really the first time, by its other superstar: the uber-talented, yet oft-maligned Russell Westbrook.
You know Westbrook’s game by now. He attacks the rim relentlessly in the fast-break or the half-court, utilizing his other-world athleticism to finish in breathtaking fashion or to simply get to the foul line. He combines this with a mixed bag of jump shots — either subpar 31% 3-point shooting on nearly 5 attempts a game or flow-killing, abrupt, pull-up mid-range jump shots that are either swishes or bricks with nowhere in between (here are the makes, set to the Lil Wayne “She Will” instrumental.) This is the reason why Westbrook is much maligned. Get ready for a steady dose of these…
Westbrook played only 41 minutes without Durant last season: http://t.co/05Elp26MdV Attempted 35 (!) shots in those 41 minutes.
Hoops junkies caught wind of this stat the day Durant went down, which led Grantland’s Zach Lowe to predict that Westbrook is “probably going to lead the league in scoring and usage rate until Durant gets back.” He also says that, “much of the endless criticism aimed at him has been off base. He takes three or four terrible shots every game, sure, but he’s an unstoppable freight train going to the hoop, and he has made subtle improvements in his passing every season.”
Doesn’t that make you excited for Westbrook unleashed? Will he attempt 30 shots a game? Or show off improved point guard skills in a concerted effort to prove critics wrong? Considering Westbrook admitted during media day that he doesn’t know what a MEME is, I doubt he’s the type that takes any critic’s opinion beyond acknowledgement.
Whatever the case, I am oddly more excited to watch OKC now with Durant injured, just to see what it would be like to watch a Russell Westbrook solo act for an extended period of time. Don’t get me wrong, I hope this only lasts for the first month, but the time is now for Westbrook to transform his narrative. Call me a doubter, but I think he’ll only strengthen it.
On the other hand, the namesake of the award is Kendrick Lamar’s first single to the long-awaited, hotly-anticipated, [insert other hyphenated adjective here because it’s that anxiously needed] sophomore album.
“i” centers around a theme that many first singles dare not circle: self-love. Any casual listener will gain at least one takeaway: Kendrick Lamar loves himself. Hopefully at least one more too: love yourself.
Kendrick’s single is still in my rotation and will assuredly be stuck in our heads as the NBA kicks off Premiere Week on TNT. I know I’m probably not the first one to make this comparison, but “i” reminds me of Kanye’s “Jesus Walks” and I hope it propels Kendrick to another level of stardom alongside what the rest of his sophomore album can potentially deliver.
Other Nominees: Carmelo Anthony, Kobe Bryant (who could take over this award by Christmas), and Swaggy P (who is actually a fan of the song, which makes me happy.)
The ‘Kauai’ Award
for the player who is adding the most to his game goes to… Blake Griffin
At the top of the month, Childish Gambino released a surprise double project, S T N M T N / Kauai. The former was a free, rap-focused mixtape that found Gambino doing familiar things over the likes of “Go DJ”. The latter, Kauai, was an EP where the profits went to keeping the oldest Hawaiian island clean.
It was also the first project where Gambino was singing the whole time.
Now, Gambino singing is nothing new. He’s been harmonizing since the days of “Lights Turned On” (one of his catalogue’s best tracks, imo.) The singing has progressively become more prevalent with each album and started to inspire Drake comparisons, to which Gambino replied, “This n***a think he Drake.’ Nah, I ain’t Drake. I sing better, I do better, my s**t’s wetter.” in an in-show call-out of Drake, Kendrick, and Schoolboy Q this summer.
Regardless of who’s better, Gambino took an element of his craft and displayed it, with large success, on a whole other level with Kauai. That’s where the connection with Blake Griffin begins.Hear for yourselves first, and press play on my favorite track of the project, “The Palisades” (named after the L.A. district where Gambino rented Chris Bosh’s mansion for the summer).
In fact, the Gambino-Griffin connection began much earlier. Sometime circa 2011 after Gambino’s #1 Blake Griffin rap reference connected the two in person.
(INSIDE INFO ALERT: Gambino’s 3-year crown for the most powerful Blake Griffin rap reference in hip hop is about to be thwarted… more on that when that song is released…)
The element of Blake Griffin’s craft that took a large leap forward last year was his jump-shot. It led to a career year in scoring, highlighted by his 27.4 PPG when Chris Paul missed 18 games in January. His jump shot from 10-16 feet improved from 36% to 40%, his jump shot from 16-23 feet improved from 34% to 37%, and even his 3-pointers from 17% to 27% (albeit on less than an attempt a game,) per Basketball Reference.
So, like Gambino’s singing, the jump-shot is now a known part of Griffin’s arsenal. Look for it to take a Kauai-level jump this season, if the preseason is any indicator.
Midway through the first quarter of the first pre-season game, Griffin swished a corner 3 in rhythm, en route to hitting his first 6 shots. I was watching it live and had the big eyeball emoji going. The performance inspired a superb, detailed investigation about the improved balance of his shot by SB Nation’s Mike Prada.
The one game case study was backed up in the rest of the preseason, culminating in Griffin’s 21 points in 25 minutes this past Friday vs. the Blazers. With a lot of these Clipper games on NBATV, I was able to easily track the consistency of Griffin’s fluid, no hesitation jumper. The points have been there, the jumper passes the eye test, and though the Clippers announcers may be biased, it’s also noteworthy that they are also genuinely impressed at Blake’s improved jumper after watching his career’s every game.
I think the jumper will carry over to the season and propel Griffin in the MVP race as my #2 candidate behind LeBron James. If the Cavs falter, I don’t think it’s out of the question that between Griffin’s improved individual success and the team’s chances at a top 3 seed, Blake can be the league’s MVP.
The junkies know who I’m talkin’ about. If you’re neither a hoops junkie or a hip hop junkie, that’s OK. I’m here to educate you that Elfrid Payton may be the next Rookie of the Year and an eventual perennial all-star point guard out of the east. And that Raury may be music’s Rookie of the Year already, who’s drawn all-star comparisons to fellow ATLien Andre 3000 that the man himself calls “fair”.
Perhaps coolest of all: both came out of nowhere this summer.
Elfrid Payton’s story is really just one chapter in, compared to the two or three Raury’s is thus far. The lead chapter already indicates bright things ahead in future pages. Payton is a 6’3″ guard who played at non-descript Louisiana-Lafayette, but did enough to impress scouts and land at the #10 overall pick in this year’s draft by the Orlando Magic. He is not even 21 years old yet, but is prime to start the season opener and lead the Magic backcourt in the wake of Victor Oladipo’s injury.
On the new Grantland Basketball Hour show on ESPN, Bill Simmons likened Elfrid Payton to a rookie Russell Wilson, in the vein that he’s the young leader that the team has already gravitated towards. Simmons even went as far to bet Jalen a lobster dinner that anyone but Jabari will win Rookie of the Year, with Elfrid Payton being his pick. I think Jalen’s getting that free meal come April, but that speaks more to Jabari’s NBA-level talent and opportunity with the Bucks than it does Payton.
Around the time of the NBA Draft, the mainstream was not only getting to know Elfrid Payton, but Raury, the Indigo Child, as well. The video release of “God’s Whisper” dates back to April, but it wasn’t until a photo this summer of Raury with Kanye West drew thousands more views to the fitting first impression of the 18-year old star in the making. It was “God’s Whisper”, possessing a hip hop production similar to ‘Ye’s Graduation work, that garnered Kanye’s attention.
In fact, the Kanye effect was how I found out about Raury. I digested the full Indigo Child project on the August night of its release, after watching “God’s Whisper” for the first time. I was impressed with Raury’s perspective beyond his years and how his heart and positive intentions spilled out onto the art. Accompanied by well-done visuals, the project has sat with me these past few months, with a handful of the tracks remaining in my rotation.
Though Raury shows his rapping skill across songs like “Armor” and “Superfly”, I think the greater potential in his career is when it’s just him singing with an acoustic guitar. “Superfly” is the song that best balances the rapping, singing, and guitar and is the one song with the most universal lyrical appeal too. Perhaps its inclusion here, in a discussion of how he and his NBA parallel prepare to take flight, is most fitting as well. I can’t wait to see where both Elfrid & Raury are at the end of the 2015 season.
The Drake “I’m not new to this” Award goes to… Toronto Raptors
When you think of Drake and basketball it’s 1 of 2 things:
I’m here to dissect Drake’s Raptors for this season… and beyond.
Last year, the roster collectively got their first playoff experience with an intense 7-game series with the Brooklyn Nets, who proved their equal since the series literally went down to the last second. The loss is not without its silver linings, however. Basketball is back in Toronto as “We The North” has doubled to personify the city’s feelings of being overlooked and galvanize national pride. For the team itself, one can first feel comforted that NBA history clearly shows baby steps are necessary in the climb towards the championship. Bitter playoff defeats usually create a clear hurdle for a team to jump it the next year, if they retain a young, growing core.
That’s just what the Raptors did this off-season. The roster is largely the same, after answering the summer’s big question mark with the re-signing of point guard and team leader Kyle Lowry. GM Masai Ujiri curated two improvements too: the signing of James Johnson to replace John Salmons and the sneaky good acquisition of one of the league’s top bench heat-check guys, Lou Williams. The Raptors will ride this improved depth, as Grantland’s Jared Dubin dissects, and continued internal development of contract-year starters Jonas Valanciunas and Terrence Ross, to win the Atlantic Division again and earn a top 4 seed.
My favorite line from one of Drake’s 3 new tracks this past weekend, “6 God”, is when he breaks into song with “I’m not new to this” (x 3).
I’ll admit it, I’ll admit it, I’m imagining the Raptors starting 5 blaring this aloud in the locker room throughout the season and into April as their playoff anthem.
The Raptors are now NOT new to this, however. The expectation is to advance in the playoffs. And Masai has one “How Bout Now” moment he can create by the trade deadline.
Toronto has $28 million in expiring contracts, as pointed out via The Starters, and can use a combination of those players to trade for an impact player. I can’t predict who that may be, but as things always twist and turn during the season, a player may present himself as a welcome fit/injury replacement to bolster the Raps. Ujiri has proven he’s the aggressive type to make that move.
BONUS: The Majid Jordan Award
for under the radar backcourt duo goes to… DeMar DeRozan & Kyle Lowry
Well, this award just blew up your Gowhere NBA Award Pool. I know it. Adjust your scorecard because the Toronto Raptors do indeed possess the highest total of Gowhere NBA Awards.
Alas, in the much debated, highly entertaining “Best Backcourt Duo in the NBA” discussion at the start of training camp, the Wizards’ John Wall & Bradley Beal first made their claim publicly. Dion Waiters said he and Kyrie are the best and provided proof in the form of: “Men lie women lie BUCKETS DNT” and a YouTube video of his 24 point performance over said Wizards. Steph Curry & Klay Thompson didn’t say anything, just posed with their Gold Medals, as experts almost universally anointed them as the Best Backcourt Duo. While I’d agree with the Splash Brothers pick, I also noticed that many forgot DeMar DeRozan and Kyle Lowry should seriously be in the discussion.
DeRozan earned his first all-star selection last year that felt interchangeable with his backcourt mate Kyle Lowry, who just started to emerge as the Raptors’ fuel to the fire post-Rudy Gay trade. Lowry played better as the season went along, putting up career numbers with 17.9 PPG and 7.4 APG. I hesitate to predict he’ll improve on those numbers, but that’s more a testament to his large jump to get to those numbers — the first time he was able to be that consistent over one full season. I don’t, however, hesitate to predict more improvement from DeMar DeRozan, given his youth and the Team USA effect. He has had all of the tools to become a dominant scoring swingman and for the first time in his career, DeRozan starts the season as the clear #1 scoring option for his team. Last season saw 22.7 PPG on only 43% shooting, 30% beyond the arc. Look for a slight uptick in his efficiency.
So to me, DeMar & Kyle are more under the radar than not, when seen in the scheme of the entire league. This also holds true for the namesake of the award in the music game: Majid Jordan. Plus, how can you not appreciate the (contrived) parallel to keep everything OVO x Toronto?
Unpopular opinion alert: Majid Jordan is the best OVO artist to drop since the summer. The statement has nothing to do with Majid Jordan being poorly received either. I have really only seen positive reviews in my scope and research, in fact. But it’s clear that the masses would prefer their PARTYNEXTDOOR or say, iLOVEMAKONNEN, given the digital hysteria over the two solo R&B artists since August that has translated to bothseparately headlining the legendary SOBs in New York City in just the past week.
Prior to PND & Makonnen’s deserved splash, Majid Jordan dropped what time has proven to be my favorite R&B project of the year. I explained why this past July at the time of release of the 5-track A Place Like This EP. Simply put, I highly suggest the quick 22 minute stream below. I also highly hope for a creative live show along the vibe of the “Place Like This” video and another project from Majid in 2015 that I don’t doubt will make their blip even brighter on the radar.
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That’s it for Part 1! Thank you for making it this far. If you did, you’re as pumped for the NBA Season as I am. Pt. 2 is [EDIT: right here.]
You can expect some awards (once again, fake awards) handed out to Kobe Bryant (so he doesn’t death stare me), the Western Conference contenders (yup, all of them), and my hometown Bulls (of course.) I’ll also have more Playoff predictions, more music for your playlist, and more attempts to make you laugh.
In a new sit-down with MTV, Raury talks about his first big-name collab on the way with SBTRKT and how this was his first lengthy sit-down with an artist who’s out here like that. After getting to know each other more, Raury revealed they worked on some new music and he’ll have a couple of tracks on the upcoming SBTRKT project.
Additionally, Raury turned heads earlier this summer with a big co-sign from Kanye West. It came in the form of a simple photo, that Kanye liked “God’s Whisper”, and that they played each other music. Raury elaborates a little more in the video/transcript below:
[Kanye and SBTRKT] were equally humble people. Kanye was very cool, man. We had breakfast, we talked for a nice little minute and then we played each other each others’ tracks. I played him stuff from the album before the release, and he went nuts and played me his stuff. I was like, “Oh my god”… I always feel like I have to keep up with people like that. He’s got some really good stuff coming, that’s all I can say, but yeah he’s real cool.
Andre 3000 interviews abound in this post – two of them to be exact as he first sat down with Life + Times for a great, revealing transcribed conversation that primarily centered around Hendrix (and his well-received performance), but also touching on an OutKast/solo album and recent comparisons to him with up and comer Raury (which I can totally see too). Scroll below for a few quotables and his sit-down with David Letterman last night.
On whether the engrossing himself with all things Hendrix has inspired his artistry in a way that could lead to another OutKast or solo album:
“I can’t say that there was a huge revelation from playing Hendrix in the movie. I think it just was a great experience that I went through. It was challenging considering that I don’t really consider myself an actor in that way. I consider myself more of an opportunist who got to play Jimi Hendrix and put my all into it. But I can’t say I walked away with any life-changing thing. As far as an Outkast album, we don’t have any plans to do one. After this tour though, I’ve been thinking about recording this album that I always wanted to record. We’re both working on solo albums. Big Boi is damn near through with his next album. I think after we finish this last show on October 31st in New Orleans. I’d love to get in the studio and see if I can conjure up something.”
On Raury comparisons:
“There’s a fair comparison with Raury. I think Raury is stepping out and pushing it though. That’s fair considering he’s not a straight and narrow kind of artist and going for his own thing. I just saw him the other day when he opened up for us in Atlanta and I think he’s a dreaming artist with good ideas and I hope he’ll grow and we give him his room to grow. The biggest thing I would tell him is fuck listening to everybody and just go for it. I hate when people try to compare artists because we are all totally different individuals and we all grow.”